Afford it? Daniel has always been broke; Bram used to help him out. But Bram’s not here. Maybe one of his Asian business ventures finally hit. I watch Daniel skitter around the room in search of something, finally locating a set of blueprints shoved halfway under the coffee table.
“I wish he was here to help me; I think he’d be happy that I’m finally making this place mine. But in a way I feel like he is here. Also, he’s footing the bill,” he says.
It takes me a minute to understand who he’s talking about, what he’s talking about. “The boat?” I ask.
He nods.
Back in India, Yael barely spoke of Daniel. I figured that they weren’t in touch anymore. With Bram gone, why would they be? They never liked each other. At least that’s how it seemed to me. Daniel was flakey, messy, a spendthrift—all the things that Yael loved in Bram in less extreme form—and Yael was the person who swept in and upended Daniel’s life. If there wasn’t much room for me, I can only imagine how it felt for him. It made sense to me why Daniel moved half a world away a few years after Yael showed up.
“There wasn’t a will,” Daniel says. “She didn’t have to do that, but of course she did. That’s your ma for you.”
Is it? I think about my trip to Rajasthan, an exile that turned out to be what I needed. Then I think about Mukesh, not just canceling the camel tour and delaying my return flight at Yael’s behest, but also dropping me off at the clinic that day, when everyone seemed to be expecting me. I’d always assumed my mother was so hands off, taking care of everyone but me. But I’m starting to wonder if perhaps I misunderstood her brand of caretaking.
“I’m beginning to get that,” I tell Daniel.
“Good timing, too,” he says. He scratches his beard. “I didn’t offer you coffee. You want coffee?”
“I wouldn’t say no to a coffee.”
I follow him into the kitchen, which is the old kitchen, all chipped cupboards, cracked tiles, ancient tiny gas range, cold-water-only sink.
“Kitchen’s next. And the bedrooms. Maybe halfway was a bit optimistic. I’d better get on it. You should come live with me. Help me out,” he says with a loud clap of his hands. “Your pa always said you were handy.”
I’m not sure if I’m handy, but Bram was always drafting me for help with some home-improvement project or another.
He puts the coffee on the stove. “I gotta get into gear. I’ve got two months now, so tick-tock, tick-tock.”
“Two months until what?”
“Oh, shit. I didn’t tell you. I only just told your ma.” His face breaks out into a smile that looks so much like Bram’s it hurts.
“Told her what?”
“Well, Willem, I’m going to be a father.”
As we drink coffee, Daniel fills me on the big news. At the age of forty-seven, the perennial bachelor has at last found love. But, because apparently the de Ruiter men can never do things the simple way, the mother of Daniel’s child is Brazilian. Her name is Fabiola. They met in Bali. She lives in Bahia. He shows me a picture of a doe-eyed woman with a lit-from-within smile. Then he shows me an accordion folder, several centimeters thick, his correspondence with the various government agencies to prove the legitimacy of their relationship so she can get a visa and they can be married. In July, he is going to Brazil in preparation for the birth in September, and, he hopes, the wedding soon after. All going well, they’ll be in Amsterdam in the fall, and return to Brazil for the winter. “Winters there, summers here, and when he is old enough for school, we’ll reverse it.”
“He?” I ask.
Daniel smiles. “It’s a boy. We know. We already have a name for him. Abraão.”
“Abraão,” I say, rolling it over my tongue.
Daniel nods. “It’s Portuguese for Abraham,”
We both are silent for a moment. Abraham, Bram’s full name.
“You’ll move in, help, won’t you?” He points to the blueprints, the one bedroom that will be made into two, the flat that once housed the two brothers, and for a spell housed all three of them before it was just Daniel all on his own. And then, not even him.
But now we are two here. And soon there will be more. After so much contracting, somehow, inexplicably, my family is growing again.
Thirty-four
JUNE
Amsterdam
Daniel and I are on the way to the plumbing supply shop to pick up a shower body when his bike gets a flat tire.
We stop to inspect. There’s a nail lodged deep into the tube. It’s four-thirty. The plumbing store closes at five. And then it’s closed for the weekend. Daniel frowns and throws his arms in the air like a frustrated child.
“Goddammit!” he curses. “The plumber’s coming tomorrow.”
We did the bedrooms first, a mess of studs and drywall and plaster, neither of us knowing exactly what we were doing, but between books and some old friends of Bram’s, we managed to make a tiny “master” bedroom, with a loft bed, and a tinier nursery, which is where I’m now living.
But the learning curve was high and it took longer than we’d expected, and then the bathroom, which Daniel thought would be simple—swapping out seventy-year-old fixtures for modern ones—turned out to be anything but. All the pipes had to be replaced. Coordinating the arrival of the tub and the sink and the plumber—another of Bram’s friends, who is doing the job on the cheap but also on his off hours, nights and weekends—has challenged Daniel’s already limited logistical skills, but he soldiers on. He keeps saying that if Bram built a boat for his family, dammit, he’s going to build a flat for his. And it’s such a strange thing to hear, because I’d always thought Bram built the boat for Yael.
The plumber came last night, we thought, to finish the bath and shower installations, only to tell us he couldn’t install the new tub that had finally arrived until we had a shower body. And we can’t finish tiling the bathroom and move on to the kitchen—which the plumber said will probably also need all new pipes—until we have a shower.
For the most part, Daniel has approached the renovation with the sheer enthusiasm of a child building a sand castle at the beach. Every other night, when he and Fabiola Skype, he lugs his battered laptop around the flat, showing off all the latest modifications, discussing furniture placement (she’s big into feng shui) and colors (pale blue for their room; butter yellow for the baby’s).
But during those semi-nightly calls, you can see the bump is growing. After the plumber left, Daniel admitted he could almost hear the baby inside, ticking like one of those old alarm clocks. “Ready or not, here he comes,” he’d said, shaking his head. “Forty-seven years, you’d think I’d be ready.”
“Maybe you’re never ready until it’s upon you,” I’d said.
“Very wise, little man,” he’d said. “But goddamn it, if I’m not ready, I’m going to have the flat ready.”
“Go on ahead, take mine,” I tell Daniel now, swinging off my bike. It’s the same beat-up old workhorse I bought off a junkie when I first came back to Amsterdam last year. It stayed locked up outside Bloemstraat all those months I was in India, no worse for wear. When I started working on the flat, I brought it back to Amsterdam, along with the rest of my things, all of which fit on the bottom two shelves of the bookshelf in the baby’s room. I don’t have much: Some clothes. A few books. The Ganesha statue Nawal gave me. And Lulu’s watch. It still ticks. I hear it in the night sometimes.
Problem solved, Daniel is bright sunshine again. With a gappy grin, he hops onto my bike, and takes off pedaling, waving behind him, almost slamming into an oncoming moto. I wheel his bike off the narrow alley and turn onto the wide canal of the Kloveniersburgwal. I’m in an area sandwiched between the shrinking Red Light District and the university. I head in the direction of the university, more likely to find bike repair shops there. I pass an English-language bookstore I’ve ridden by a few times before, always somewhat curious. On the stoop is a box of one-euro books. I poke through—it’s mostly American paperbacks, the kind of thing I read in a day and traded when I was traveling. But at the bottom of the box, like a displaced refugee, is a copy of Twelfth Night.
I know I probably won’t read it. But I have a bookshelf now for the first time since college, even if it’s only temporary.
I go inside to pay. “Do you know of a bike repair place nearby?” I ask the man behind the counter.
“Two blocks down, on Boerensteeg,” he says, without looking up from his book.
“Thanks.” I slide over the Shakespeare.
He glances at the cover, then looks up. “You’re buying this?” He sounds skeptical.
“Yeah,” I say, and then by way of an explanation I don’t need to give, I tell him I was in the play last year. “I played Sebastian.”
“You did it in English?” he asks, in English, with that strange hybrid accent of someone who’s lived abroad a long time.
“Yeah,” I say.
“Oh.” He goes back to his book. I hand him a euro.
I’m almost out the door when he calls out: “If you do Shakespeare, you should check out the theater down the way. They put on some decent Shakespeare plays in English in Vondelpark in the summer. I saw that they’re holding auditions this year.”
He says it casually, dropping the suggestion like a piece of litter. I ponder it there, on the ground. Maybe it’s worthless, maybe not. I won’t know unless I pick it up.
Thirty-five
“Name.”
“Willem. De Ruiter.” It comes out a whisper.
“Come again.”
I clear my throat. Try again. “Willem de Ruiter.”
Silence. I can feel my heartbeat, in my chest, my temple, my throat. I can’t remember ever being nervous like this before and I don’t quite understand it. I’ve never had stage fright. Not even that first time with the acrobats, not even going on with Guerrilla Will, in French. Not even the first time Faruk shouted action and the cameras rolled and I had to speak Lars Von Gelder’s lines, in Hindi.
But now, I can barely say my name out loud. It’s as if, unbeknownst to me, there is a volume switch on me and someone has turned it all the way down. I squint my eyes and try to peer into the audience, but the bright lights are rendering whoever is out there invisible.
I wonder what they’re doing. Are they looking at the ridiculous headshot I scrambled to put together? Daniel took it of me in the Sarphatipark. And then we’d printed my Guerrilla Will stats on the back. It doesn’t look half bad from a distance. I have several plays to my credit, all of them Shakespearian. It’s only if you inspect it closely you see that the picture is shitty quality, pixelated to the extreme, taken on a phone and printed at home. And my acting credentials, well, Guerrilla Will isn’t exactly repertory theatre. I’d seen some of the headshots of the other actors. They came from all over Europe—the Czech Republic, Germany, France and the UK, as well as here—and had real plays under their belts. Better photos, too.
I take a deep breath. At least I have a head shot. Thanks to Kate Roebling. I called her at the last minute for advice because I’ve never auditioned before. With Guerrilla Will, Tor decided what role you’d play. There was some sniping about this, but I didn’t care. The money was split equally, no matter how many lines you had.
“Ahh, yes, Willem,” a disembodied voice says. It sounds bored before I’ve even begun. “What will you be reading for us today?”
The play being produced this summer is As You Like It, one I’ve never seen or heard much about. When I stopped in the theater last week, they told me I could prepare any Shakespearian monologue. In English. Obviously. Kate had told me to take a look at As You Like It. That I might find something really meaty in it.
