And the tour roared on.
I woke up in Milan. I woke up in Singapore. I woke up in Moscow. I woke up in Helsinki. I woke up in Cologne. I woke up in various cities along the eastern seaboard. I woke up cradling a bottle of tequila in a white limo with bullhorns attached to its front fender as it raced across Texas. “Why did Bret miss the reading?” Paul Bogaards was constantly asked by the press. After a pause Paul would answer with his now customary vagueness. “Um, fatigue . . .” A new tack: “Why did Bret postpone this whole leg of the tour?” Another long pause before “Um, allergies.” Then a longer pause before the confused journalist tentatively mentioned, “But it’s January, Mr. Bogaards.” Finally, after another drawn-out pause on Bogaards’s part, in a small voice: “Fatigue . . .” This was followed by yet another very long pause and then in barely a whisper: “Food poisoning.” But people were making so much money (there was enough p**n ography and dismemberment to appease my fan base so the book was on just about every best seller list despite reviews that usually ended with the word “Yuck”) that schedules were inevitably readjusted, because if they weren’t my publisher would suffer huge financial losses. Everything about my career was now measured in economics, and giant bouquets of flowers had to be sent to my hotel suites in order to soothe my “insecurity rages.” Every hotel on the Glamorama world tour was required to provide “ten votive candles, a box of chewable vitamin-C tablets, an assortment of Ricola throat lozenges, fresh gingerroot, three large bags of Cool Ranch Doritos, a chilled bottle of Cristal, and an unlisted outgoing-only phone line,” and at all readings the lights above the podium had to be “orange-tinted” because this would bring out the darkness of my salon-induced tan. If these contractual demands weren’t met the fine would be split between Knopf and myself. No one said being a Bret Easton Ellis fan was easy.
An actual “drug cop” was hired for the second U.S. tour; somehow during all of this the paperback had been published (I had been on the road that long). Terence had slipped out of the picture months ago and a fresh-faced young woman—“motivational helper” or “celebrity babysitter” or “sober companion,” or whatever—was now on hand to basically make sure I didn’t snort heroin before the readings. But of course she was hired to protect my publisher, not me. They didn’t really care about the underlying reasons of my addiction (but then neither did I) and were only interested in the amount of book sales the tour was generating. I thought I was “fragile yet functioning,” but according to memos the drug cop e-mailed to Knopf’s publicity department from the road, I was most decidedly not functioning.
E-mail memo #6: “15 miles southwest of Detroit writer was found hiding in back of stalled van on the median of a divided highway, picking at nonexistent scabs.”
E-mail memo #9: “Somehow writer has been teargassed at anti-globalization demonstration in Chicago.”
E-mail memo #13: “Berkeley; angry drug dealer was found choking writer due to ‘lack of payment’ in alley behind Barnes & Noble.”
E-mail memo #18: “Cleveland; writer slept until three p.m., missing all morning and lunch interviews; was then found ‘pigging out on junk food’ until compelled to ‘throw up.’ Also witnessed standing in front of hotel mirror sobbing ‘I’m getting so old.’ ”
E-mail memo #27: “Santa Fe; writer allegedly encouraged a Doberman pinscher to perform cunnilingus on unconscious groupie and when said animal failed to show interest in said groupie writer punched said animal in head and was severely bitten.”
E-mail memo #34: “Miami Book Fair; writer locked himself in bookstore bathroom repeatedly yelling at concerned employees to ‘Go away!’ When writer emerged an hour later he started to ‘freak out’ again. ‘I have a snake on me!’ writer screamed. ‘It’s biting me! It’s IN MY MOUTH!’ Writer was dragged to a waiting squad car while holding on to bewildered young yeshiva student attending the reading—whom writer continuously fondled and groped—until ambulance arrived. His eyes rolling back into his head, writer’s last words—shouted—before being driven off were quote ‘I am keeping the Jew-boy’ unquote.”
Paul Bogaards would respond with his own e-mails, such as: “I don’t care if you have to stick a broom up writer’s ass to get him upright and onstage—Just Do It.” I felt as if I had been hijacked. The tour seemed so long and monstrously unfair. I kept fainting from the endless pressure of it all. Wellbutrin helped me cope, along with my refusal to admit anything was wrong. My handler was now calling the tour “a legitimately traumatic experience.” When I countered with “It’s an escapade!” she snapped back, “You need to hit rock bottom.” But it’s a difficult thing to hit rock bottom when you are making close to $3 million a year.
