The voice is sad, gentle, loving, and you want to follow it, but you fight every step, anyway, until Lily and her friend have to drag you past the cages of other dogs, who start barking and howling again, whose cries are pure terror, pure loss. You can hear cats grieving, somewhere else in the building, and you can smell the room at the end of the hall, the room to which you’re getting inexorably closer. You smell the man named Mark behind the door, and you smell medicine, and you smell the fear of the animals who’ve been taken to that room before you. But overpowering everything else is the worst smell, the smell that makes you bare your teeth in the muzzle and pull against the choke collar and scrabble again, helplessly, for a purchase you can’t get on the concrete floor: the pervasive, metallic stench of death.
