18
I was late to my first zombie appointment. Surprise, surprise. Being late to the first meeting made me late to the other two. It was 2:03 by the time I got to Edward's room.
I knocked. He opened the door and stepped to one side. "You're late."
"Yeah," I said. The room was nice but standard. A single king-sized bed, nightstand, two lamps, a desk against the far wall. The drapes were closed over the nearly wall-to-wall windows. The bathroom light was on, door open. The closet door was half-open, showing that he'd hung up his clothes. He planned to stay for a while.
The television was on, sound turned off. I was surprised. Edward didn't watch television. A VCR sat on top of the TV. That was not standard hotel issue.
"You want something from room service before we get started?"
"A Coke would be great."
He smiled. "You always did have champagne tastes, Anita." He went to the phone and ordered. He asked for a steak, rare, with a bottle of burgundy.
I took off my coat and laid it on the desk chair. "I don't drink," I said.
"I know," he said. "You want to freshen up while we wait for the food?"
I glanced up and caught a distant look at myself in the bathroom mirror. Chicken blood had dried to a sticky, brick color on my face. "I see your point."
I shut the bathroom door and looked at myself in the mirror. The lighting was that harsh, glaring white that so many hotel bathrooms seem to have. It's so unflattering that even Ms. America wouldn't look good in it.
The blood stood out like reddish chalk against my pale skin. I was wearing a white Christmas sweatshirt that had Maxine from the Shoebox Hallmark commercials on it. She was drinking coffee with a candy cane in hand, saying, "This is as jolly as I get." Bert had asked us to wear Christmasy-type things for the month. Maybe the sweatshirt wasn't exactly what he had in mind, but hey, it was better than some of the ones I had at home. There was blood on the white cloth. Figures.
I took the sweatshirt off, draping it on the bathtub. There was blood smeared over my heart. I'd even gotten a little on my silver cross. I'd put the blood there along with the stuff on my face and hands. I'd killed three chickens tonight. Raising zombies was a messy job.
I got one of the white washrags from the little towel rack. I wondered how Edward would explain the bloodstains to the maid. Not my problem, but sort of amusing anyway.
I ran water into the sink and started scrubbing. I caught a glimpse of myself with blood running down my face in watery rivulets. I stood up and stared. My face looked fresh scrubbed and sort of surprised.
Had Richard really proposed? Had I really said yes? Surely not. I had said yes. Shit. I wiped at the blood on my chest. I played with monsters all the time. So I was engaged to one. That stopped me. I sat down on the closed lid of the stool, bloody washrag gripped in my hands. I was engaged. Again.
The first time he'd been so white bread that even Judith had liked him. He'd been Mr. All-American, and I hadn't been good enough for him, according to his family. What had hurt most was that he hadn't loved me enough. Not nearly as much as I'd loved him. I'd have given up everything for him. Not a mistake to make twice.
Richard wasn't like that. I knew that. Yet there was that worm of doubt. Fear that he'd blow it. Fear he wouldn't blow it. Damned if you do, damned if you don't.
I looked down and realized I was dripping bloody water on the linoleum. I knelt and wiped it up. I was scrubbed as clean as I was going to get until I showered at home. If I'd brought clean clothes, I might have done it here, but I hadn't thought of it.
Edward knocked on the door. "Food's here."
I got dressed, put the rag in the sink, and ran cold water over it. I made sure the cloth wasn't blocking the drain and opened the door. The smell of steak hit me. It smelled wonderful. I hadn't eaten for more than eight hours, and truthfully I hadn't eaten all that much then. Richard had distracted me.
"Do you think room service would shoot us if we asked for another order?"
He made a small hand motion at the room-service cart. There were two orders on the cart.
"How did you know I'd be hungry?"
"You always forget to eat," he said.
"My, aren't we being mother of the year."
"The least I can do is feed you."
I looked at him. "What's up, Edward? You're being awfully considerate."
"I know you well enough to know you won't like this. Call the meal a peace offering."
"Won't like what?"
"Let's eat, watch the movie, and all will be revealed."
He was being cagey. It wasn't like him. He'd shoot you, but he wouldn't be cute about it. "What are you up to, Edward?"
"No questions until after the movie."
"Why not?"
"Because you'll have better questions." With that inscrutable answer he sat down on the edge of the bed and poured a glass of red wine. He cut his meat, which was raw enough to bleed in the center.
"Please tell me my steak isn't bloody."
"It isn't bloody. You like your meat well dead."
"Ha, ha." But I sat down. It seemed odd sharing a meal in Edward's hotel room, like we were two business people traveling together, just a working dinner. The steak was well done. Thick house fries suitably spiced took up almost as much room as the steak. There was a side order of broccoli, which could be slid to one side and ignored.
The Coke came in a chilled wineglass, which seemed a little excessive, but it looked nice.
"The movie's going to start near the end. I don't think you'll have any trouble picking up the plot." He hit the remote control, and the TV screen flickered, jumping from a game show to a bedroom.
A woman with long brown hair lay on her back in a round bed. She was nude, or at least what I could see of her was nude. Below the waist she was hidden behind the furiously pumping buttocks of a dark-haired man.
"This is pornography." I didn't even try to keep the disbelief from my voice.
"It certainly is."
I glanced at Edward. He was cutting his steak with neat, precise hand movements. He chewed a bite of steak, sipped his wine, and watched the screen.
I glanced back at the "movie." A second man had joined the couple on the bed. He was taller than the first man, with shorter hair, but beyond that it was a little hard to tell, mainly because I was trying not to look.
I sat on the edge of Edward's bed with our nice steak dinners, and for the first time felt awkward around Edward. There had never been any sexual tension between us. We might kill each other someday, but we'd never kiss. But I was still in a man's hotel room watching a porno movie, and good girls just didn't do that.
"Edward, what the hell is going on?"
He hit the remote control. "Here, a face shot."
I turned back to the screen. The frozen image stared out at me. It was the second man. It was Alfred.
"Oh, my, God," I said.
"You know him?" Edward asked.
"Yeah." No sense denying it. Alfred was dead. Edward couldn't hurt him anymore.
"Name?"
"Alfred. I don't know the last name."
He hit fast forward. The images on the screen moved at a furious pace, doing intimate things that would have been obscene at any speed. At fast forward it seemed sadder. Ridiculous as well as degrading.
He hit the pause again. The woman was full face to the camera, mouth open, eyes heavy lidded with sexual languor. Her hair was spread artfully over the silken pillow. It should have been provocative. It managed not to be.
"Do you know her?"
I shook my head. "No."
He hit the button again. "We're near the end."
"What about the other man?"
"He wears a face mask throughout."
The masked man had mounted the woman from behind. His hips cupped her butt, the line of his thigh matching hers. He leaned his upper body over her nude torso, hands massaging the flesh of her upper arms. He seemed to be draping himself on top of her more than anything else. There seemed to be very little sex going on.
She was supporting his full weight on her hands and knees. Her breath came in pants. A low growl trickled through the room. The camera did a close-up of the man's back. The skin was rippled, as if a hand had rubbed the under surface of his skin, then vanished. More ripples, as if something small were trying to punch its way out.
A wider-angle shot showed him still draped over the woman. The ripples on his back were growing. You could see things pushing against his skin, movements large enough you could have seen them even if he'd been dressed. Like those I had seen on Jason last night.
I had to admit this part was fascinating. I'd seen people shapeshift, but never like this. Not in minute detail, not with the loving eye of a camera on it.
The skin split along his back, and he reared upward, hands hugging her waist, screaming. Clear liquid flowed down his back in a wash that soaked the bed and the woman underneath him.
The woman gave a little encouragement, moving her buttocks against him, thrusting against him, head bowed to the bed.
Black fur flowed outward from his back. His hands shot to his sides, spasming. He leaned over her again, hands digging into the bed. The hands were just hands, then those human fingers sliced into the bed, ripping white stuffing from great clawed furrows.
The man seemed to shrink. The fur flowed faster and faster, almost liquid in its speed. The mask dropped away. The face was the wrong shape for it now. The camera did a close shot of the fallen mask. A bit of art in all this... oh, hell. I didn't have a word for it.
The man was gone. A black leopard mounted the woman and seemed very happy with the arrangement. The leopard bent over the woman, lips spread to reveal glistening teeth. The leopard nipped her back, drawing a small amount of blood. She gave a low moan, a shudder sweeping her body.
Alfred came back into view. He was still in human form. He crawled up to the bed and kissed the woman. It was a long, complete kiss, full of probing tongues. He rose on his knees, still kissing her, rocking his body with the movements. He seemed very excited to see her.
His back rippled, and he tore away from her, hands clutching the sheets. The change seemed to go a lot faster for him. The camera did a close-up of one of his hands. Bones slid out of the skin with wet, sucking noises. Muscles and ligaments crawled and rearranged. The skin tore and that same clear liquid poured out. The hand changed into a naked claw before the dark fur flowed over it.
He stood on bent legs, half wolf, half man, but all male. He threw back his head and howled. The sound had a deep, resonating quality that filled the room.
The woman looked up at him, eyes wide. The leopard jumped off her, rolling on the bed, for all the world like a big kitten. It rolled itself in the silken sheet, until only its black-furred face peeked out.
The woman lay on her back, legs spread-eagled. She held out her hands to the wolfman, tongue flicking out along her lips as if she were really enjoying herself. Maybe she was.
The werewolf thrust into her, and it wasn't gentle. She gave a gasping moan, as if it were the best thing she'd ever felt.
The woman was making noises. Either she was a very good actor or she was coming close to climax. I wasn't sure which I preferred. Good acting, I think.
She came with a sound between a scream and a shout of joy. She lay back gasping on the bed, body liquid. The werewolf gave one last shuddering thrust and drew claws down the length of her naked body.
She screamed then, no acting required. Blood poured down her body in scarlet rivulets. The leopard gave a startled scream and jumped off the bed. The woman put her hands up in front of her face, and the claws smashed her arms to one side. Blood poured, and there was a glimpse of bone in one arm where the claws had torn all the flesh away.
Her screams were high and continuous, one loud ragged shriek after another, as fast as she could draw air. The werewolf's pointed muzzle lowered towards her face. I had an image of the murder victim's crushed jaw. But he went for her throat. He bit her throat out, spraying a great gout of blood.
Her eyes stared sightless at the camera, wide and shiny, dull with death. The blood had somehow left her face untouched. The werewolf reared back, blood dripping from its jaws. A gob of blood fell on her staring face, running between her eyes.
The leopard leaped back onto the bed. It licked her face clean with long, sure strokes of its tongue. The werewolf licked its way down her body, stopping over her stomach. It hesitated, one yellow eye staring at the camera. It began to feed. The leopard joined the feast.
I closed my eyes, but the sounds were enough. Heavy, wet, tearing sounds filled the room. I heard myself say, "Turn it off." The sounds stopped, and I assumed that Edward had turned the tape off, but I didn't look up to see. I didn't look up until I heard the whir of the tape rewinding.
Edward cut a bite of steak.
"If you eat that right now, I will throw up on you."
He smiled, but he put down his silverware. He looked at me. His expression was neutral, as it was most of the time. I couldn't tell if he'd enjoyed the film or been disgusted by it. "Now you can ask me questions," he said. His voice was like it always was, pleasant, unaffected by external stimuli.
"Jesus, where did you get that thing?"
"A client."
"Why give it to you?"
"The woman was his daughter."
"Oh, God, please, tell me he didn't watch this."
"You know he saw it. You know he watched it to the end or why hire me? Most men don't hire people to kill their daughter's lovers."
"He hired you to kill the two men?"
Edward nodded.
"Why did you show this to me?"
"Because I knew you'd help me."
"I'm not an assassin, Edward."
"Just help me identify them. I'll do the rest. Is it all right if I drink some wine?"
I nodded.
He sipped his wine. The dark liquid rolled around the glass, looking a lot redder than it had before the movie. I swallowed hard and looked away. I would not throw up. I would not throw up.
"Where can I find Alfred?"
"Nowhere," I said.
He set his wineglass carefully on the tray. "Anita, you disappoint me. I thought you'd help me after seeing what they did to the girl."
"I'm not being uncooperative. That film is one of the worst things I've ever seen, and I've seen a hell of a lot. You're too late to find Alfred."
"How too late?"
"I killed him last night."
A smile spread across his face, beautiful to behold. "You always make my job easier."
"Not on purpose."
He shrugged. "Do you want half the fee? You did do half the work."
I shook my head. "I didn't do it for money."
"Tell me what happened."
"No."
"Why not?"
I looked at him. "Because you hunt lycanthropes and I don't want to give someone to you by accident."
"The wereleopard deserves to die, Anita."
"I'm not arguing that. Though, technically, he didn't kill the girl."
"The father wants them both. Do you blame him?"
"No, I guess I don't."
"Then you'll help me identify the other man?"
"Maybe." I stood up. "I need to call someone. I need for someone else to see this film. He might be able to help you more than I could."
"Who?"
I shook my head. "Let me see if he'll come first."
Edward gave a long nod, almost a bow with just his neck. "As you like."
I dialed Richard's number by heart. I got his machine. "This is Anita, pick up if you're there. Richard, pick up. This is important." No one picked up the phone.
"Damn," I said.
"Not home?" Edward asked.
"Do you have the number for the Lunatic Cafe?"
"Yes."
"Give it to me."
He repeated the number slowly, and I dialed it. A woman picked up the phone. It wasn't Raina. I was thankful for that. "Lunatic Cafe, Polly here, how may I help you."
"I need to speak with Richard."
"I'm sorry we don't have any waiters by that name."
"Look, I was a guest of Marcus's last night. I need to speak with Richard. It's an emergency."
"I don't know. I mean, like, they're all busy in the back room."
"Look, get Richard on the phone now."
"Marcus doesn't like to be disturbed."
"Polly, is it? I have been on my feet for over thirteen hours. If you do not put Richard on the phone right now, I am going to come down there personally and bust your ass. Am I making myself clear?"
"Who is this?" She sounded a little miffed, and not in the least afraid.
"Anita Blake."
"Oh," she said. "I'll get Richard for you, right away, Anita, right away." There was an edge of panic to her voice that hadn't been there before. She put me on hold. Someone with a sick sense of humor had compiled the Muzak. "Moonlight and Roses," "Blue Moon," "Moonlight Sonata." Every song was a moon theme. We were halfway through "Moon over Miami" when the phone clicked back to life.
"Anita, it's me. What's wrong?"
"I'm all right, but I've got something you need to see."
"Can you tell me what it is?"
"I know this sounds corny, but not over the phone."
"You sure you're not just looking for an excuse to see me again?" There was a note of teasing in his voice.
It had been too long a night. "Can you meet me?"
"Of course. What's wrong? Your voice sounds awful."
"I need a hug and to erase the last hour of my life. The first you can take care of when you get here, the second I'll just have to live with."
"Are you home?"
"No." I glanced at Edward, putting my hand over the mouthpiece. "Can I give him the hotel room?"
He nodded.
I gave Richard the hotel room, and directions. "I'll be there as soon as I can." He hesitated, then said, "What did you say to Polly? She's nearly hysterical."
"She wouldn't put you on the phone."
"You threatened her," he said.
"Yeah."
"Was it an idle threat?"
"Pretty much."
"Dominant pack members don't make idle threats to subordinates."
"I'm not a pack member."
"After last night you're a dominant. They're treating you like a rogue dominant lycanthrope."
"What does that mean?"
"It means when you say you're going to bust someone's ass, they believe you."
"Oh, sorry."
"Don't apologize to me, apologize to Polly. I'll be there before you get her calmed down."
"Don't put her on, Richard."
"That's what you get for being trigger happy. People get scared of you."
"Richard..." A sobbing female voice came on the line. I spent the next fifteen minutes convincing a crying werewolf that I wasn't going to hurt her. My life was getting too strange, even for me.
