"Oh, Lord, yes," said the woman whom the shop sign identified as Minette as clearly as her accent indicated that the name had probably originally been Minnie. "That hair! A truer blonde could never have worn that vivid a gold-turn her yellow as cheese, it would. But it just picked up the green in her eyes. My gran used to tell me folk with that dark rim 'round the iris had the second sight."
She regarded Asher with eyes that were enormous, the most delicate shade of clear crystal blue and, though without any evidence of second sight whatsoever, clearly sharp with business acumen. Though he had shut the shop door behind him, Asher could still hear the din of traffic in Great Marlborough Street-the clatter of hooves, the rattle of iron tires on granite paving blocks, and the yelling of a costermonger on the corner-striving against the rhythmic clatter of sewing machines from upstairs.
He tugged down the very slightly tinted spectacles he wore balanced on the end of his nose-spectacles whose glass was virtually plain but which he kept as a prop to indicate harmless ineffectuality-and looked at her over their tops. "And did she tell you she was an actress?"
Minette, perched on a stool behind the white-painted counter, cocked her head a little, black curls falling in a tempting bunch, like grapes, on the ruffled ecru of her collar lace. "Wasn't she, then?" There was no surprise in her voice-rather, the curiosity of one whose suspicions are about to be confirmed.
Asher made his mouth smaller under his thick brown mustache and sighed audibly. But he held off committing himself until the dressmaker added, "You know, I thought there was something a bit rum about it. I know actresses at the Empire don't get up and about 'til evening and are on 'til all hours, but they do get days off, you know. I always figured she spent them with one of her fancy men, and that was why she always insisted on coming in the evenings-between houses, she said. I will say for her she always did make it worth my while, which comes in handy in the off season when all the nobs are out of town."
"Fancy men," Asher reiterated, with another small sigh, and pro-duced a notebook in which he made a brief entry. The blue eyes fol-lowed the movement, then nicked back to his face. "You a 'tec?"
"Certainly not," he replied primly. "I am, in fact, a solicitor for a Mr. Gobey, whose son was-or is-a-er-friend of Miss Harshaw's-or Miss Branhame's, as she called herself to you. Did Mr. Gobey-Mr. Thomas Gobey-at any time buy Miss Lotta Harshaw anything here? Or pay her bills for her?"
Thomas Gobey's had been among the freshest-looking of the cards of invitation found in Lotta's reticule; it was better than even odds that, even if he were dead by now, the dressmaker hadn't heard of it. As it transpired, Gobey had, two years ago, paid seventy-five pounds to Minette La Tour for a gown of russet silk mull with a fur-trimmed jacket to match, ordered and fitted, like everything else Lotta had pur-chased there, in the evening.
Discreetly peering down over Mde. Minette's shoulder as she turned the ledger pages, Asher noted the names of other men who had paid Lotta's bills, on those frequent occasions on which she did not pay them herself. Most were familiar, names found on cards and stationery in her rooms; poor Bertie Westmoreland had disbursed, at a quick estimate, several hundred pounds to buy his murderess frocks and hats and an opera cloak of amber cut velvet beaded with jet.
Six months ago, he was interested to note, Lotta had purchased an Alice-blue "sailor hat"-Lydia had one, and it was nothing Asher had ever seen any sailor wear in his life-with ostrich plumes, which had been paid for by Valentin Calvaire, at an address in the Bayswater Road.
He shut his notebook with a snap. "The problem, my dear Mademoi-selle La Tour, is this. Young Mr. Gobey has been missing since the beginning of the week. Upon making inquiries, his family learned that Miss Harshaw-who is not, in fact, an actress-has also disappeared. At the moment we are simply making routine inquiries to get in touch with them-searching out possible friends or people who might know where they have gone. Did Miss Harshaw ever come here with female friends?"
"Oh, Lor' bless you, sir, they all do, don't they? It's half the fun of fittings. She came in once or twice with Mrs. Wren-the lady who introduced her to us, and a customer of long standing, poor woman. In fact it was because Iam willing to oblige and do fittings at night by gaslight-for a bit extra, which she was always willing to pay up, like the true lady she is..."
"Do you have an address for Mrs. Wren?" Asher inquired, flipping open his notebook again.
The dressmaker shook her head, her black curls bouncing. She was a young woman-just under thirty, Asher guessed-and still building her clientele. The shop, though narrow and in a not quite fashionable street, was brightly painted in white and primrose, which went a long way toward relieving the dinginess of its solitary window. It took a wealthy and established modiste indeed to live comfortably and pay seam-stresses and beaders during the off season when fashionable society de-serted the West End for Brighton or the country-by August, Minette would probably have agreed to do fittings at midnight just to stay work-ing.
"Now, that I don't, for she'll pay up in cash. In any case, I doubt they're really friends. Goodness knows how they met in the first place, for a blind man could see Mrs. Wren wasn't her sort of woman at all- not that it's Mrs. Wren's real name, I'll wager, either. She has a drunk-ard of a husband, who won't let her out of the house-she has to slip out when he's gone to his club to buy herself so much as a new petti-coat. I suggest you look up her other friend, Miss Celestine du Bois, though if you was to ask me..." She gave him a saucy wink. "... Miss du Bois is about as French as I am."
Though thoroughly tickled and amused, Asher managed to look frostily disapproving of the whole sordid business as he stalked out of Mile. La Tour's.
The address given by Celestine du Bois on those occasions when bills were sent to her and not to gentlemen admirers-one of whom, Asher had been interested to note, was also Valentin Calvaire-was an accom-modation address, a tobacconist's near Victoria Station and reachable from any corner of London by Underground. Calvaire's address in the Bayswater Road was also an accommodation
address, a pub-both vampires had picked up their letters personally.
"Does Miss du Bois pick up letters here for anyone else?" Asher inquired, casually sliding a half-crown piece across the polished mahog-any of the counter. The young clerk cast a nervous glance toward the back of the shop, where his master was mixing packets of Gentlemen's Special Sort.
"For a Miss Chloe Watermeade, and a Miss Chloe Winterdon," the young man replied in a hushed voice and wiped his pointy nose. "She comes in-oh, once, twice a week sometimes, usually just before we puts the shutters up."
"Pretty?" Asher hazarded.
"Right stunner. Short little thing-your pocket Venus. Blond as a Swede, brown eyes I think-always dressed to the nines. Not a loafer'll speak to her, though, with the big toff what comes in with her half the time- Cor, there's a hard boy for you, and never mind the boiled shirt!"
"Name?" Asher slid another half crown across the counter.
The boy threw another quick look at the back shop as the owner's bulky form darkened the door; he whispered, "Never heard it," and shoved the half crown back.
"Keep it," Asher whispered, picked up the packet of Russian ciga-rettes which had been his ostensible errand, and stepped back into the street to the accompaniment of the tinkling shop bell.
Further investigation of Lotta's grave in Highgate yielded little. It was a discouragingly easy matter to enter the cemetery by daylight- the narrow avenue of tombs behind the Egyptian gate and the dark groves and buildings around it were absolutely deserted, silent in the dripping gloom. Anyone could have entered and completely dismem-bered every corpse in the place uninterrupted, not just planted a stake through the heart and cut off the head.
With the door left wide, a thin greenish light suffused the crypt, but Asher still had to have recourse to the uncertain light of a dry-cell electric torch, whose bulky length he'd smuggled in under his ulster, as he examined every inch of the coffin and its niche. He found what might have been remains of a stake among the charred bones, though it was difficult to distinguish it from the fragments of rib or tell whether it was wood or bone-he wrapped it in tissue and pocketed it for later investi-gation. It told him nothing he did not already know. In a far corner of the tomb, he found a nasty huddle of bones, hair, and corset stays rolled in a rotting purple dress: the former occupant, he guessed, of the coffin Lotta had commandeered.
What remained of the afternoon he spent in a back office at theDaily Mail, studying obituaries, police reports, and the Society page, match-ing names with those on the list he'd assembled from the debris in Lotta's rooms and from Mile. La Tour's daybooks. Poor Thomas Gobey, he saw, had in fact succumbed to a "wasting sickness" only months after the purchase of the russet silk dress. Asher noted the address-the Albany, which told him everything he needed to know about that unfortunate young man-and the names of surviving broth-ers, sister, parents, fiancee.
It had been disconcerting to recognize names on those cards of invita-tion which dated from a certain period seven or eight years ago. Poor Bertie Westmoreland had not been the only member of that gay circle of friends who had sent her invitations or bought her trinkets, though he was evidently the only one who had paid the ultimate price,
The others were lucky, he thought. Though Albert Westmoreland had died in 1900, the Honorable
Frank Ellis-another of Lydia 's suit-ors, though Asher had never met the boy-had bought the vampire a loden-green crepe tea gown as late as 1904. Who knew how many oth-ers had also kept up the connection?
He shivered, thinking how close Lydia had passed to that unseen plague then, and thanked all the strait-corseted deities of Society for the strict lines drawn between young girls of good family and the type of women with whom young men of good family amused themselves be-tween bouts of "doing the pretty,"
Lydia had been very young then. Eighteen, still living in her father's Oxford house and attending lectures with the tiny clump of Somerville undergraduates interested in medicine. The other girls had dealt as best they could with the comments, jokes, and sniggers of male undergradu-ates and deans alike-apologetic, frustrated, or defiant. For the most part Lydia had been blithely oblivious. She had been genuinely puzzled over her father's blustering rage when she'd chosen studying for Responsions over a season on the London matrimonial mart; had she had brothers or sisters, he might well have threatened to disinherit her from the considerable family estates. Even her uncle, the Dean of New Col-lege, though her supporter, had been scandalized by the direction of her studies. Education for women was all very well, but he had been think-ing in terms of literature and the Classics, not the slicing up of cadavers and learning how the human reproductive organs operated.
Asher smiled a little, remembering how even the most anti-woman of the dons, old Horace Blaydon, had come around to her support in the end, though he'd never have admitted it. "Even a damn freshman can follow what I'm doing!" he'd bellowed at a group of embarrassed male students during his lectures on blood pathology... he'd called Lydia a damned schoolgirl everywhere but in the classes. And the old man would have acted the same, Asher thought, even had his son not been head over heels in love with her. Staring at the obituaries spread out on the grimy and ink-stained table top before him, Asher glanced at his list of Lotta's admirers since the early '80s and thought about Dennis Blaydon.
Lydia was probably the last person anyone would have expected to capture Dennis Blaydon's fancy, let alone his passionate and possessive love. Bluff, golden, and perfect, Dennis had been used to the idea that any woman he chose to honor with his regard would automatically accept his proposal; the fact that Lydia did not had only added to her fascination. Since the first time he'd seen her without her spectacles and decided that she was possessed of a fragile prettiness as well as great wealth, he had wanted her and had put forth all his multitude of charm and grace into winning her, to Asher's silent despair. Everyone in Ox-ford, from the Deans of the Schools to the lowliest clerk at Blackweli's, had accepted his eventual triumph in the Willoughby matrimonial lists as a matter of course. Her father, who considered one intellectual more than enough in the family, had been all in favor of it. To Horace Blaydon's query as to what his son would want with a woman who spent half her time in the pathology laboratories, Dennis had replied, with his customary shining earnestness, "Oh, she isn't really like that, Father." Presumably he knew better than she did what Lydiawas like, Asher had thought bitterly at the time. Pushed into the background, a middle-aged, brown, nondescript colleague of her uncle, he could only watch them together and wonder how soon it would be that all hope of making her a part of his life would disappear forever.
Later he'd mentioned to Lydia how astonished he'd been that she hadn't married such a dazzling suitor. She'd been deeply insulted and demanded indignantly why he thought she'd have been taken in by a strutting oaf in a Life Guards uniform.
He grinned to himself and pushed the memories away. However it had transpired, Dennis and his other friends-Frank Ellis, the mourn-ful Nigel Taverstock, the Honorable Bertie's Equally Honorable brother Evelyn-had had a close escape. Lotta had known them all. They were all the type of young men she liked- rich, good-looking, and susceptible. How long would it have been before she had chosen an-other of them as her next victim, when enough years had passed for them to forget poor Bertie's death?
What old score was Lotta paying off, he wondered, folding up his jotted lists, in the persons of those wealthy young men? He donned his scarf and bowler and slowly descended the narrow stairway past the purposeful riot of the day rooms, stopping briefly to thank his reporter friend with a discreet reference to "King and Country."
Had it been some ancient rape or heartbreak, he wondered as he descended the long hill of Fleet Street, its crush of cabs and trams and horse-drawn buses dwarfed by the looming shadow of St. Paul 's dome against the chilly sky. Or merely the furious resentment of a cocky and strong-willed girl who hated the poverty in which she had grown up and hated still more the satin-coated young men whose servants had pushed her from the flagways and whose carriage wheels had thrown mud on her as they passed?
Judging by Mile. La Tour's books, Celestine-or Chloe-seemed to be far more apt to pay for her own dresses than Lotta was, and the men who did buy her things were not the men of Lotta's circle. Their names were always different; evidently few men lived long enough to supply her with two hats. She was either more businesslike about her kills than Lotta, or simply less patient,
Was she, he wondered, also a "good vampire"? Like Lotta, did she savor those kisses flavored with blood and innocence? Did she make love to her victims?
Were vampires capable of the physical act of love?
The women would be, of course, he guessed-capable of faking it, anyway. As he descended to the Underground at the Temple a woman spoke to him in the shadows where the stair gave onto the platform, her red dress like dry blood in the gloom and her glottal vowels scrawling Whitechapel almost visibly across her painted mouth. Asher tipped his hat, shook his head politely, and continued down the steps, thinking: They would have to feed somewhere else before undressing, to warm the death-chill from their flesh.
Back at Prince of Wales Colonnade he returned to the now-neat cata-logue of Lotta's finances. Seated tailor-fashion on the bed in his shirt sleeves, he sorted through the bills, letters, and cards, arranged by prob-able date. Mile. La Tour had only served her vampire clientele for a few years, of course-the earliest entry for Mrs. Anthea Wren was in 1899. Lotta's pile of yellowing bills dated back through the nineteenth cen-tury and into the eighteenth, paid by men long dead to modistes whose shops were closed, sold, or incorporated with others'-a woman cannot keep the same dressmaker for seventy-five years if she herself doesn't age.
There were only four names on the recent invitations not accounted for either in the obituaries or last week's Society pages.
There was a Ludwig von Essel who had bought Lotta things between April and December of 1905 and was then heard of no more. There was Valentin Calvaire, who had first bought Lotta a yoked waist ofpeau de soie, embroidered and finished with silk nailheads, whatever those were, in March of this year; and a Chretien Sanglot, who had sent her a card of invitation to meet him at the ballet and who not only picked up his mail at the same pub as Calvaire did but, to Asher's semitrained eye, at least, wrote in the same execrable French hand. And lastly, there was someone whose name appeared on bills dating from the Napoleonic Wars and on notes of Baton's finest creamy pressed paper, less than two years old: someone who signed himself Grippen in black, jagged writing of a style not seen since the reign of James I.
He made an abstracted supper of bread and cold tongue while writing up a precis of his findings, lighting the gas somewhere in the midst of his work without really being aware of it. He doubted that the families of any of Lotta's victims were responsible for the killings, but if Lotta and Calvaire had hunted together, her victims' friends might be able to offer leads. Lydia would undoubtedly know where he could reach the Honorable Evelyn and Westmoreland's fiancee, whatever her name was, but again, he'd have to be careful-careful of the vampires, who must, he knew, be suspecting his every move, careful, too, of the killer, and careful of whatever it was that Ysidro wasn't telling him,
His Foreign Office habits prompted him to add a shorter list, just for the sake of off-chances: Anthea Wren; Chloe/Celestine Watermeade/ Winterdon/du Bois; Valentin Calvaire/Chretien Sanglot; Grippen. And looking up, he discovered to his utter surprise that it was quite dark outside,
He hadn't strolled for very long along the crowded flagways of Gower Street when he was suddenly aware of Ysidro beside him. The vampire's arrival was not sudden-indeed, once Asher glanced to his left and saw the slender form in its black opera cape at his elbow, he knew he had been there for some time. He had concentrated on watching for his appearance, but it seemed to him that something had distracted him- he could no longer remember what.
Annoyed, he snapped, "Would you stop doing that and just come up to me like a human being?"
Ysidro thought about it for a moment, then countered quietly, "Would you stop identifying all the exits from a house before you go into it? I have a cab waiting."
The houses in Half Moon Street were Georgian, red brick mellowed by time and somewhat blackened by the veiling soot of the city's atmo-sphere, but retaining the graciousness of moderate wealth. Most of them showed lights in their windows; in the gaslight, Asher could make out the minuscule front gardens-little more than a few shrubs clus-tered around the high porches-groomed like carriage horses. An inde-finable air of neglect clung to Number Ten, three-quarters of the way down the pavement. Asher identified it as the result of a jobbing gar-dener who had not been kept up to his work, and front steps that went weeks or months without being scrubbed-fatal, in London.
"Housekeeping presents its own problems for the Undead, doesn't it?" he remarked quietly as they ascended the tall steps to the front door. "Either you keep servants or scrub your doorstep yourself-the windows here haven't been washed, either. Every doorstep on the street is brickbatted daily but this one."
"There are ways of getting around that." Ysidro's face, in profile against the reflection of the street lamps as he turned the key, retained its calmly neutral expression.
"I'm sure there are. But even the stupidest servant is going to notice something amiss when nobody orders any food or uses the chamber pots."
The vampire paused, the tarnished brass door handle in his gloved hand. He regarded Asher enigmatically, but in the back of his brim-stone-colored eyes, for an instant, Asher half thought he glimpsed the flicker of amused appreciation. Then the black cloak whispered against the doorframe, and Ysidro led the way into the house.
"Edward Hammersmith was the youngest son of a nabob of the India trade, almost exactly one hundred years ago," he said, his light, uninflected voice echoing softly in the darkness. "The house was one of three owned by the family; Hammersmith asked for and got it from his father after he became vampire, thereafter gaining a reputation as the family's reclusive eccentric. He was in his way a reclusive eccentric even as a vampire-he seldom went out, save to hunt."
There was a faint scratch, the whiff of sulphur overriding for a mo-ment the general foetor of must and dampness that filled what, by the sound of the echoes, must be a large and lofty front hall. The sharp sliver of matchlight confirmed this an instant later, racing in threads along tarnished gilt panel moldings and the graceful medallions of a high Adam ceiling, almost invisible overhead in the gloom. For that first moment, Ysidro's face, etched in those hard-cut shadows, seemed, too, something wrought of unbelievably delicate plaster. Then he touched the flame to the wick of an oil lamp that stood with several others on a Sheraton sideboard. The light leaped and slithered over the square mirror set in the sideboard, the web-shrouded lusters of the chandelier, the rounded glass of the smutted chimney which gray-gloved fingers, seeming so disembodied in the warm glow, fitted over the flame,
"Did he hunt with Lotta?"
"Upon occasion." Sprawling shadows followed them up the stairs, flowing over carved wall panels warped with damp. "They were both..." Again that pause, that sense of veering, like a small boat before gusty wind, into potentially less dangerous seas. "Edward liked a change now and then. Usually he hunted alone."
"Was he a 'good vampire'?"
"Not very-" At the top of the first flight of stairs, Ysidro turned right and pushed open the double doors to what had once been the large drawing room. He held his lamp aloft as he did so, and the light scat-tered across books-literally thousands of books, crammed into make-shift shelves which not only lined every inch of wall nearly to the curve of the ceiling, but stacked the floor hip-deep in places. Little paths threaded between the stacks, like the beaten hoof lines or dassie tunnels that stitched unseen through the deep grass of the veldt. Towers of books ascended drunkenly from the two sideboards that loomed up out of the gloomy maze, and more were visible through the sideboards' half-opened caned doors; they piled the seats of every chair but one in untidy heaps. Bundles of papers were scattered over them or lay loose like leaves blown in an autumn wind. Bending down, Asher picked up one that lay nearest the door-brown and brittle as Lotta's oldest pet-ticoats, it was sheet music of some obscure aria by Salieri.
Like a little island, there was an open place in the middle of the room, where grimy gray patches of lichenous carpet could be seen; it contained a chair, a small table supporting an oil lamp, a mahogany piano, and a harpsichord whose faded paint had nearly all flaked away. Sheet music heaped the floor under both instruments.
Beside him, Ysidro's calm voice continued, "There is a regrettable tendency among vampires to become like the little desert mice, which hoard shining things in holes."
"If passion for life is the core of your nature," Asher remarked, "that isn't surprising, but it must make for awkward domestic arrangements. Do all vampires do it?"
He looked away from the gloomy cavern, with its smells of mildew and damp, and found the vampire's strange eyes on him, a flicker of inscrutable interest in their depths. Ysidro looked away. "No." He turned from the door and moved toward the stairs at the far end of the hall, Asher following in his wake. "But I find the ones who do not rather boring."
It was on the tip of Asher's tongue to ask Ysidro what his hobby was, what passion filled the dark hours of his wakefulness when he was not actively hunting his prey, but he decided to take advantage of the Span-iard's relatively communicative mood with matters less frivolous. "Did Calvaire hunt with Lotta?"
"Yes. They became quite good friends."
"Were they lovers?"
Ysidro paused at the top of the second flight of stairs, the lamp held low in his hand, its light streaming up onto the narrow, fragile-boned face and haloing the webby stringiness of his hair, casting a blot of shadow on the low ceiling above. Carefully, he replied, "As suchvam-pires understand the concept, yes. But it has nothing to do with either love or sexual union. Vampires have no sex-the organs are present, but nonfunctional. And neither Lotta nor Calvaire would even have consid-ered the happiness of the other, which is what I understand to be one of the tenets of mortal love."
"Then what was between them?"
"A shared ecstasy in the kill." He turned to open the small door to the left of the stairs, then paused and turned back. "There is, you under-stand, an ecstasy, a surge of-I don't know what. A 'kick,' I think they call such things now-in the drinking of the life as it pours from the veins of another. It is not only in the taste of the blood, which I am told not all of us find pleasant, though I do. We are as much creatures of the psychic as the physical. We perceive things differently from human per-ceptions. We can taste-feel-the texture of the minds of others, and at no time more intensely than when the human mind is crying out in death. That is what we drink, as well as the blood-the psychic force, which answers to and feeds our own psychic abilities to control the minds of others."
He leaned in the doorway, cocking his head a little, so that the strands of his pale hair fell in attenuated crescents on his shoulders. The lamp in his hands touched face and hair, wanning them, alike colorless, into the illusion of goldenness, like honey-stained ivory. Asher was con-scious, suddenly, of the empty darkness of the house all around.
His voice continued, light and disinterested and absolutely without inflection, committing nothing of the enigma of his eyes. "As a vampire, I am conscious at all times of the aura, the scent, of the human psyches near me, as much as I am conscious of the smell of live blood. Some vampires find this almost unbearably exciting, which is why they play with their victims. There is never a time-I am told-when they are not thinking, Shall it be now or later? It is that which feeds us, more than the physical blood-it is that which we hunt. And that psychic hunger, that lust for the draining of the soul, is as far beyond the knife-edge instant before the cresting of sexual orgasm as that instant is beyond-oh-after you have had two pieces of marzipan, and you are wondering whether you might like a third one, or a bit of honey cake instead."
After a long while Asher said quietly, "I see."
"You don't," Ysidro replied, his voice whispering away in soft echoes against the darkness of the empty house, "and you can't. But you would do well to remember it, if ever you find yourself in the company of other vampires than I."
There were candles in all the wall sconces of the room where Edward Hammersmith had kept his coffin. Ysidro thrust one of them down into the lamp chimney to touch the flame, then went around the room, lighting the others, until the whole place blazed with a quivering roseate glow unlike the soft steadiness of gaslight. Asher noted boxes of candles stacked carelessly in every corner and puddles of wax, raised to lumpy stalagmites four and five inches high, on the Turkey carpets beneath each wax-clotted sconce. In the center of the room, the print of the coffin lay clear and dark upon the dusty rug, though the coffin itself was gone. There were no traces of ash or burning around the edge of that sharp, dust-free oblong-only a scuffed path leading there from the door, worn by Hammersmith's feet, and a few smudgy tracks in the dust, leading beyond it to the room's two tall windows. The heavy shutters that had covered these had been stripped of the three or four layers of black fabric that curtained them and ripped from their nails.
Skirting the tracks, Asher walked to the windows, holding the lamp to the wooden frames, then to the shutters themselves.
"My height or better," he remarked. "Strong as an ox-look at the depths of these crowbar gouges." Going back, he fished his measuring tape from his pocket-a miniature one of Lydia's in an ivory case-and noted the length and width of the track, and the length of the stride.
"The coffin was fitted with interior latches," Ysidro said, remaining where he had been in the restive halo of the candelabrum's light. "They were crude, of course-Danny King installed them for Neddy-and the lid had been simply levered off, tearing the screws from the wood."
"Where is it now?" Asher held the lamp high, to examine the plaster of the low ceiling above.
"We buried it. In the crypt of St. Albert Piccadilly to be precise- there being no danger of infection or smell."
"Who is 'we'?"
Ysidro replied blandly, "My friends and I." He half shut his eyes, and one by one the candles around the room began to go out.
He had spoken of a vampire's psychic powers-Asher had seen both Western mediums and Indian fakirs who could do much the same thing. Still, he picked up his lamp hastily and joined Ysidro by the door before the last of those firefly lights snuffed to extinction, leaving only darkness and the lingering fragrance of beeswax and smoke.
"Tell me about Danny King," he said, as they descended the stairs to the drawing room once again. "He was obviously a friend of Neddy's, if he fixed up his coffin for him. Was he a friend of Lotta and Calvaire's as well?"
"He was a friend to most of us," Ysidro said. "He had an unusually easygoing and amiable temperament for a vampire. He was an unedu-cated man-he had been a carriage groom, a 'tiger' they were called, to... during George IV's Regency for his father."
Asher found candles, and began lighting lamps and wall sconces in the vast drawing room as they had done upstairs. With the increased illumination, the clutter only appeared worse, mounds of music, of books, and of bundled journals scattered everywhere. Strewn among them were small bits of personal jewelry, stickpins and rings such as a man might wear, and literally scores of snuffboxes, most of them cov-ered with dust and filled with snuff dried to brown powder, whose smell stung Asher's nose.
"Where did he keep his things?" He turned back to the tambour desk in one corner, its top, like everything else in the room, a foot and a half thick in books, in this case the collected works of Bulwer-Lytton-by its appearance, well-thumbed, too. Asher shuddered. The solitary vam-pire's evenings must have hung heavy indeed.
"He did not have many."
"He couldn't have carried them round London in a carpetbag." Asher opened a drawer.
It was empty.
He brought the lamp down, ran his hand along the drawer's upper rim. There was dust on the first few inches, as if the drawer had been left ajar for years, but there was no dust in the bottom. He hunkered down to open the drawer below.
That, too, was empty. All the other drawers in the desk were.
"Had this been done when you and your friends found Hammer-smith's body?"
Ysidro drifted over to the desk, contemplated the empty drawers for a moment, then let his disinterested gaze float back over the clutter of music pieces, books, and journals that bulged from every other available receptacle in the room. He reached into a corner of a bottom drawer, drew out a fragment of what had clearly been a bill for a servants' agency, paid in full in 1837. "I don't know."
Asher remained where he was for a moment, then stood, picked up the lamp, and threaded his way between stacks of books to the fireplace. It was clear that it had once contained books, too-they were now heaped at random all around it. He knelt and ran his fingers over their covers. The dust that lay thinly over everything else was absent. The fireplace was heaped with ashes-fresh.
He glanced up at the vampire, who, though Asher had not seen him do so, had joined him by the cold hearth.
"Burned," he said quietly, looking up into that narrow, haughty face. "Not taken away and sorted through to trace other vampires or possible contacts. Burned." He got to his feet, feeling again the stir of frustrated anger in him, the annoyance with Ysidro and his invisible cronies. For a moment he had thought he'd seen puzzlement on that thin-boned face and in the pucker of the slanting brows, but if he had it was gone now. "Was this done at King's place also?"
"No."
"How do you know?"
"Because King did not keep such things," Ysidro replied smoothly. Asher started to retort, Then who kept them for him? and stopped himself. The dark eyes were fixed on his face now, watching, and he tried to keep the sudden cascade of inferences out of his expression.
More calmly he said, "It all comes back to Calvaire. It started with him, and he seems to have been a linchpin of some kind in this; I'm going to have to see his rooms,"
"No." As Asher opened his mouth to protest, Ysidro added, "That is as much for your protection as for ours, James. And in any case, he was not found in his rooms-in fact his body was not found at all."
"That doesn't mean he couldn't have been followed to them, taken away in his sleep, and killed."
Ysidro's eyes glinted angrily, but his voice remained absolutely level. "No one follows a vampire."
"Then why do you keep looking over your shoulder?" Disgusted, Asher picked up the lamp and strode through the mazes of books to-ward the door, the stairs, and the outer, saner world of the cold London night.
